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Bridge Street Violins | Violins, Violas & Cellos for Sale or Hire UK
Instruments
Cello
Double Bass
Viola
Violin
Commission An Instrument
Hire
Cello Hire
Viola Hire
Violin Hire
About Hiring an Instrument
How to choose my instrument size
Bows
Violin Bows
Viola Bows
Cello Bows
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Instrument Cases
Rosin
Cleaning Products
Shoulder rests
Services
Shop Luthier Services
Instrument Services & Care
Restoration Services
Valuation Services
Blog
About Us
Contact Us
Delivery Information
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Awards & press
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Violins for Sale 'The Baronet' George Craske, England (1875)
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'The Baronet' George Craske, England (1875)

£16,000.00
SOLD

This is a beautiful example of a premium quality George Craske violin from his more experienced years of his career.

The model is inspired by Guarneri.
Length of back: 359mm
Body stop: 195mm (standard 3/5 proportion)
Length of neck: 130mm (standard 2/5 proportion)



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This is a beautiful example of a premium quality George Craske violin from his more experienced years of his career.

The model is inspired by Guarneri.
Length of back: 359mm
Body stop: 195mm (standard 3/5 proportion)
Length of neck: 130mm (standard 2/5 proportion)



This is a beautiful example of a premium quality George Craske violin from his more experienced years of his career.

The model is inspired by Guarneri.
Length of back: 359mm
Body stop: 195mm (standard 3/5 proportion)
Length of neck: 130mm (standard 2/5 proportion)



This is a wonderful violin, made by George Craske around 1875 (when he was 80 years old and had a rich and proliferate career full of experience of making instruments).

Label inside reads: “Made by George Craske - (born 1797, died 1888) - and sold by William E. Hill & Sons London.
Visible through the Bass side F-hole is a J & A Beare stock number, which matches the number on the receipt: “7921”

This instrument was sold by J & A Beare in April 1967 from their Wardour Street premises to a 7th generation Baronet who bought it for his daughter as a present for her 21st birthday. Receipt PRESENT and supplied with the instrument!

George Craske first studied violin making with William Forster in London and began making instruments for Thomas Dodd and the firm of Muzio Clementi in the early 19th century. After relocating several times (Bath, Leeds, Sheffield) in search of a satisfactory place to open a shop, he settled in Birmingham, where for the next 20 years he began an extremely prolific career as a talented copyist of Amati, Guarneri, and Stradivari. After Birmingham he moved to Manchester, Salford and Stockport and retired to Bath. Craske was astoundingly productive, making over 2,500 instruments in his lifetime, all the more impressive because he worked without assistance and in complete seclusion. According to his labels, Craske was still making instruments in 1888, the year he died (at 92-93 years of age!). Materials, which he probably acquired from William Forster III, are usually very good. After Craske's death his entire inventory was left to his life-long friend George Crompton, who sold them to the firm of W. E. Hill & Sons for finishing, setting up and resale.

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  • Choosing between a new and vintage violin is an exciting decision, but which one is right for you? Whether you’re drawn to the fresh start of a new instrument or the rich history of a vintage one, we break down the benefits and considerations of each to help you find your perfect match.

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  • Choosing the right-sized instrument is essential for beginners and students to ensure comfort, proper technique, and overall success in learning. This blog offers a step-by-step guide on how to select the right violin, viola, or cello based on age, body size, and skill level. With practical tips on measuring and fitting, you’ll be equipped to find an instrument that supports your musical journey, whether you’re helping a child or starting as an adult learner.

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